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  Canon Sumire Prime 7-Way Lens Set

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    £335.00/ Day / Day

  Pronounced ‘soo-mee-ray’, Canon Sumires have been designed to offer a more subtle and gentler look than with most typical modern lenses, so offer an compelling alternative to using vintage glass. The set is supplied in PL mounts and will cover Full Frame sensors such as the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a>, Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> and ARRI Alexa <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Mini LF</a>. But with full coverage of smaller image circles, they are also equally suitable for use on Super 35mm sensor cameras including the standard Alexa Mini and Sony FS7. The lenses are also compact and lightweight, making them suitable for use on gimbals and handheld shooting styles. Our Canon Sumire 7-lens set includes 14mm, 20mm, 24mm, 35mm, 50mm, 85mm & 135mm focal lengths. All lenses in the series feature an 11-blade iris design and share a standard 114mm front diameter. Please note, that whilst the lens mounts are interchangeable to EF, we are currently only offer these lenses in PL mount.

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  Zeiss Super Speed MKIII T1.3 Lens Set

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    £400.00/ Day / Day

  Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Fujinon Premista 28-100mm T2.9 Zoom Lens

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    £460.00/ Day / Day

  The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.

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