The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as Cooke Anamorphic/i primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony Venice,  Alexa Mini and Red Helium.

Featuring a a 1:1 magnification ratio and a maximum aperture of T2, the ARRI Master Macro 100 is the ultimate lens for table top cinematography, product shots and close-up inserts. ARRI & Zeiss have jointly produced this macro lens, combining their knowledge to deliver exceptional contrast, sharpness and colour clarity at extreme close-focus, making the 100mm Master Macro the first choice for cinematographers in its field.

With a focal length of 25mm, this is the widest lens that we currently offer in the Atlas Lens Co. Orion anamorphic series. A 109° horizontal field of view and 18″ close focus, combined with the 2x squeeze enables the lens to capture unique and visually striking images that are rarely acheiveable with anamorphic glass. Like all other lenses in the range, the 25mm features a T2 maximum aperture and a 31mm image circle. We offer this lens as a single, but it can be hired to complement our Atlas Orion Set ‘A’ and ‘Set ‘B’ lenses. Please note that as this is an extremely wide-angle anamorphic lens, it cannot be used with a mattebox or filtration.