Showing 46–60 of 102 results

  • Fujinon Premista 28-100mm T2.9 Zoom Lens

    Hire

    • Day Rate

      £460.00/ Day / Day
    The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI Alexa Mini LF and the Sony Venice. The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.
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  • Fujinon Premista 80-250mm T2.9-3.5 Zoom Lens

    Hire

    • Day Rate

      £460.00/ Day / Day
    The Fujinon Premista 80-250mm is compatible with the Full-Frame sized camera sensors of both the ARRI Alexa Mini LF and the Sony Venice. It also offers complete sensor coverage of Super 35 chip cameras, making it also equally suitable for use in S35 format production. Other features of the Premista 80-250mm zoom include a ZEISS eXtended Data port, and a Cooke /i interface enabling focus, iris and zoom metadata to be captured. Please note that the Fujinon Premista has a constant aperture between 80-200mm and then ramps gradually to T3.5 between 201-250mm.
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  • IBE Optics PLx2 Extender

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    • Day Rate

      £138.00/ Day / Day
    The IBE Optics PL-mount doubler works with the widest range of cameras and lenses on the market, making it the ideal choice for DoPs needing a long lens in a pinch. At only two stops of light loss, this 2x extender is perfect for use with modern large-sensor, high-sensitivity cameras.
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  • JDC Xtal Xpress Anamorphic 4-Way Lens Set

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    • Day Rate

      £715.00/ Day / Day
    Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI Alexa Mini. Please get in touch with our bookings team if you would like to arrange test session with these lenses.
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  • Kilfitt Macro Zoomar 1:1 90mm f/2.8 Lens

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    • Day Rate

      £104.00/ Day / Day
    The Zoomar 90mm macro is a vintage German macro lens with unique bokeh characteristics and a 1:1 magnification ratio. This rare lens has been fitted with a PL mount for use on all modern 35mm digital cinematography cameras.
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  • KOWA Anamorphic Lens Set

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    • Day Rate

      £125.00/ Day / Day
    These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan. The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.
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  • Laowa 12mm T2.9 Zero D Cine Lens PL

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    • Day Rate

      £90.00/ Day / Day
    Fantastically compact yet uncompromising performance, the Laowa 12mm Zero D covers full frame sensors with absolutely no distortion. Natively a 102mm diameter front but is supplied with a 114mm step up clamp on ring that lets you use lightweight clip on matte boxes. The lens can easily be used on full frame sensors such as the Sony FX3, FX6 and FX9 with our Vocas PL to E mount adapter or natively with PL mounted cinematography cameras.
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  • Laowa 24mm T14 2x Macro Probe Lens PL

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    • Day Rate

      £90.00/ Day / Day
    The Laowa 24mm macro probe is a PL-mounted boroscope lens featuring a waterproof front barrel and built-in LED ring light. Compatible with both Full-Frame and Super 35mm sensor cameras, it also features a 85° field of view and focus & iris gear rings for remote lens control. A highly useful lens for when you need to get closer to the subject and create a unique bug-eye perspective otherwise unobtainable with regular cinematography lenses.
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  • Leica Elmarit-R 100mm f/2.8 Macro Lens LER

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    • Day Rate

      £68.00/ Day / Day
    Regarded as one of the finest 100mm macro lenses ever produced, the Leica Macro-Elmarit-R is an excellent choice for extreme close-up cinematography and photography. Fully colour-matched with our other Leica-R Series of lenses, this is a great additional to our Leica R-Series Cine set, especially for flattering beauty and fashion projects. Please note that this lens is supplied in native ‘R’ mount. We can supply various lens mount adapters to use this lens with Canon EF & Sony E mount cameras – please ask our bookings team for advice on ordering the correct mount adapter.
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  • Leica Elmarit-R 180mm f/2.8 Lens LER

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    • Day Rate

      £56.00/ Day / Day
    This fully manual Leica Elmarit-R telephoto prime lens is colour matched to the other focal lengths in our R Series kit. As with our other still prime lenses, we can supply this with a variety of mounts to use with modern digital cinema cameras.
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  • Leica Elmarit-R 60mm f/2.8 Macro Lens LER

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    • Day Rate

      £48.00/ Day / Day
    Fully colour matched with our other Leica-R Series of stills and zoom lenses, this 60mm Macro is great for getting additional pack-shots or close-focus images to complement your production. We also stock a 100mm Leica R-Series macro lens.
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  • Leica R-Series Cine 6-Way Lens Set EF

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    • Day Rate

      £160.00/ Day / Day
    A set of six Leica-R Summicron & Elmarit ‘R’ series prime lenses which have been modified with Canon EF lens mount. These are full frame stills (photographic) lenses which also cover Super 35 sensor cameras. We can also supply a range of EF mount adapters to enable these lenses to be used on cameras such as the Sony FX9 and the Sony Venice. All lenses are fitted with standard 80mm Duclos fronts to allow use with a clamp-on lightweight matte box and have 0.8 pitch follow focus gear rings. These lenses also have de-clicked aperture rings for precise exposure control.
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  • Lensbaby 3GPL

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    • Day Rate

      £48.00/ Day / Day
    The Lensbaby 3GPL is the perfect lens for quick and effective tilt-and-shift optical effects. This lens has a 50mm focal length and is fitted with a PL mount for use with high-end digital cinematography cameras.
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  • LOMO Foton 37-140mm f/4.4 Zoom Lens

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    • Day Rate

      £135.00/ Day / Day
    A compact, Soviet-era zoom lens with an impressive 37-140mm focal length range. This vintage LOMO lens is fitted with a PL mount for use on all digital cinematography cameras, though is lightweight enough to be used with an adapter on cameras such as the Sony A7sII
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  • LOMO Roundfront Anamorphic Lens Set

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    • Day Rate

      £380.00/ Day / Day
    If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI Alexa Mini and Sony Venice that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.
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