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  Canon C300 MKII PL|EF

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    £210.00/ Day / Day

  Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design. An upgraded, more durable chassis makes this camera even more formidable when either on set or on location and the new Canon-made PL mount allows the use of the very highest quality cinema glass available. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects. In the vein of cameras now being able to shoot in nearly pitch dark, the C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.

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  Blackmagic Ursa Mini Pro 4.6K G2

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  • Day Rate

    £190.00/ Day / Day

  Capable of 4.6K resolution capture in both ProRes and Blackmagic RAW formats, the Blackmagic URSA Mini Pro G2 has a suite of high-end, sophisticated features in a highly cost effective and compact form factor. The unique Blackmagic sensor technology and colour science also give its images a unique look, something that that could be a useful consideration when assessing it against more heavily used cinematography cameras such as those by Sony, Canon & RED. Key features of the URSA Mini Pro G2 include built-in 2, 4 & 6 stop ND filters, support for autofocus lenses and an interchangeable lens mount. Our URSA Mini Pro G2 rental kit is supplied with a Canon EF lens mount as standard, but we can also offer the camera configured the camera with other mounts including PL. We also include a Blackmagic EVF viewfinder, shoulder support with 15mm base, media cards and a set of V-lock batteries as part of the camera package.

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  RED EPIC-W Helium

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  • Day Rate

    £545.00/ Day / Day

  Make the most of your next production by using the RED EPIC-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our EPIC-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.

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  ARRI ALEXA 35

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  • Day Rate

    £1,200.00 / Day

  eaturing a native 4.6K Super 35mm sensor and 17 stops of dynamic range, the ARRI Alexa 35 raises the bar to new heights for digital cinematography. Building on the success of the original Alexa Mini and the Mini LF, the Alexa 35 continues with the compact, yet highly functional form factor, making it a highly capable camera for a wide range production scenarios. A new side display makes operational control much easier, ensuring the camera team can quickly make changes and dial in new settings. The Alexa 35 also has a modular lens mount system, making it extremely versatile when considering lens choices and gives the option to use native S35, Full Frame and stills format lenses on the camera. Our Alexa 35 rental kits are industry leading, and supplied with a generous complement of accessories, media and power options. This includes 2TB capture cards as standard (for full speed recording) and a Bebob hot-swap B-mount battery system. Please see our ‘Kit Includes’ tab for further details.

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