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  ARRI Amira

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  • Day Rate

    £390.00/ Day / Day

  With the same Super 35mm sensor as the ARRI Alexa and a documentary style body, the ARRI Amira couples self-shooting flexibility with some of the best images on the market. All of our Amira units come with Arri’s Premium Licence as standard, giving you 4K UHD recording at ProRes 4444 and up to 200fps at 2K. The ergonomic, solid design of the Amira allows you to shoot in even the most demanding of conditions whilst the post production team enjoys the ease of the camera’s ProRes workflow.

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  Sony VENICE

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  • Day Rate

    £6,200.00/ Day / Day

  Featuring a Full-Frame, 36 x 24mm sensor, the Sony VENICE can capture stunning, cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is currently capable of up to 120fps in 4K. Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude. Our Sony VENICE rental kits include the High Speed (HFR), Full Frame and Anamorphic licenses as standard allowing your production to take full advantage of this camera. We also offer a <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">VENICE RAW</a> hire package which includes the AXS-R7 external RAW recorder and AXS media cards. The VENICE is compatible with most Super35 format lenses as well as Full-Frame glass such as the <a href="https://shootblue.tv/products/zeiss-supreme-prime-5-way-lens-set/">ZEISS Supreme Primes</a>.

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  Sony FX3

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  • Day Rate

    £160.00/ Day / Day

  The Sony FX3 is the baby of the Sony Cinema Line camera series and shares both its sensor lineage and colour science with it’s Sony FX6 and FX9 siblings. Whilst having a similar form factor to DSLR sized cameras such as the A7SII, the Sony FX3 has been designed with cinematic moving image capture as it’s core mission. Video-friendly features of the FX3 include front & rear tally lamps, 1/4-20 mounting points on the camera body and a removeable top handle with industry-standard XLR audio connectors. A fan cooling system also prevents overheating when recording, something that is often an inherent issue when shooting on compact mirrorless type cameras. The FX3 is also an especially good choice for use as a matching ‘B’ cam when shooting on a Sony FX6 or FX9 (and even the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony Venice</a>). Equally, it’s lightweight design makes it useful a useful choice for lightweight gimbal setups. We stock a wide range of Sony ‘E’ mount prime and zoom lenses, which means a mount adapter is not required and furthermore, opens up full electronic functionality of the lens when used natively on the Sony FX3. However, if you have a preference to use other lenses such as PL and Canon EF, we stock a range of ‘E’ <a href="https://shootblue.tv/products/metabones-pl-lens-to-sony-e-mount-t-cine-adapter/">mount adapters</a> compatible with this camera. Please contact our rental desk if you have any questions about this camera or if you would like to make a booking.

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  Canon C300 MKII PL|EF

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  • Day Rate

    £210.00/ Day / Day

  Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design. An upgraded, more durable chassis makes this camera even more formidable when either on set or on location and the new Canon-made PL mount allows the use of the very highest quality cinema glass available. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects. In the vein of cameras now being able to shoot in nearly pitch dark, the C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.

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