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  Tokina Vista Prime 6-Way Lens Set

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    £450.00/ Day / Day

  Featuring a 46.7mm image circle, Tokina Vista Primes cover the largest Full Frame and Vista Vision sensors, but are equally at home paired with Super 35 format cameras. All lenses in the set have a T1.5 maximum aperture, share a 9 bladed iris design and have almost imperceptible optical breathing, allowing for very precise and consistent cinematography. If you have not used Tokina lenses before, prepare yourself to be impressed – these are lenses that punch well above their weight, and hold their own against lenses by more established cine lens manufacturers such as Cooke and ARRI. We also sometimes get asked by our clients which of the lenses we stock have the closest characteristics to Panavision glass – Tokina Vista series primes are almost identical in terms of published technical specifications to Panavision Panaspeed large format lenses, so would always be our recommendation! Our 6-way Tokina Vista lens set comprises of the 18mm, 25mm, 35mm, 50mm, 85mm & 105mm focal lengths.

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  Zeiss Supreme Prime 5-Way Lens Set

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    £620.00/ Day / Day

  A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Cooke Anamorphic/i 5-Way Lens Set

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  • Day Rate

    £925.00/ Day / Day

  Marrying the famous Cooke Look with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand. Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular S4/i set and the S8/i set. We also stock the 135mm Cooke Anamorphic/i lens separately.

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