Sony FS7

  • £160.00/ Day

With an ergonomic design and a Super 35 size CMOS sensor, the Sony FS7 is a versatile camera capable of delivering great results in almost any environment.

Featuring a native Sony E-Mount which enables a range of different lens adapters to be used, including Canon EF & PL, this 4K camera has a wide range of top-quality glass to choose from.

The Sony FS7 can be provided with industry-standard cinematography accessories for studio and location corporates, commercials and promos or configured into a self-shooting documentary-style camera – this camera is a true all-rounder. When combined with the optional XDCA-FS7 extension unit, the FS7 is capable of Apple ProRes recording and can be powered via industry standard V-lock batteries.

We also offer the upgraded PXW-FS7 II version of this camera.

Category:

Sony’s hugely popular self-shooter 4K camera.

Reviews

There are no reviews yet.

Be the first to review “Sony FS7”

Your email address will not be published. Required fields are marked *

Related products

  • Blackmagic Ursa Mini Pro 4.6K G2

    Hire

    • Day Rate

      £190.00/ Day / Day
    Capable of 4.6K resolution capture in both ProRes and Blackmagic RAW formats, the Blackmagic URSA Mini Pro G2 has a suite of high-end, sophisticated features in a highly cost effective and compact form factor. The unique Blackmagic sensor technology and colour science also give its images a unique look, something that that could be a useful consideration when assessing it against more heavily used cinematography cameras such as those by Sony, Canon & RED. Key features of the URSA Mini Pro G2 include built-in 2, 4 & 6 stop ND filters, support for autofocus lenses and an interchangeable lens mount. Our URSA Mini Pro G2 rental kit is supplied with a Canon EF lens mount as standard, but we can also offer the camera configured the camera with other mounts including PL. We also include a Blackmagic EVF viewfinder, shoulder support with 15mm base, media cards and a set of V-lock batteries as part of the camera package.
    Add to cart

  • Sony FX3

    Hire

    • Day Rate

      £160.00/ Day / Day
    The Sony FX3 is the baby of the Sony Cinema Line camera series and shares both its sensor lineage and colour science with it’s Sony FX6 and FX9 siblings. Whilst having a similar form factor to DSLR sized cameras such as the A7SII, the Sony FX3 has been designed with cinematic moving image capture as it’s core mission. Video-friendly features of the FX3 include front & rear tally lamps, 1/4-20 mounting points on the camera body and a removeable top handle with industry-standard XLR audio connectors. A fan cooling system also prevents overheating when recording, something that is often an inherent issue when shooting on compact mirrorless type cameras. The FX3 is also an especially good choice for use as a matching ‘B’ cam when shooting on a Sony FX6 or FX9 (and even the Sony Venice). Equally, it’s lightweight design makes it useful a useful choice for lightweight gimbal setups. We stock a wide range of Sony ‘E’ mount prime and zoom lenses, which means a mount adapter is not required and furthermore, opens up full electronic functionality of the lens when used natively on the Sony FX3. However, if you have a preference to use other lenses such as PL and Canon EF, we stock a range of ‘E’ mount adapters compatible with this camera. Please contact our rental desk if you have any questions about this camera or if you would like to make a booking.
    Add to cart

  • Novoflex Leica R – EF Lens Mount Adapter

    Hire

    • Day Rate

      £13.00/ Day / Day
    Add to cart

  • RED EPIC-W Helium

    Hire

    • Day Rate

      £545.00/ Day / Day
    Make the most of your next production by using the RED EPIC-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our EPIC-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.
    Add to cart