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  Zeiss Supreme Prime 5-Way Lens Set

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    £620.00/ Day / Day

  A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.

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  Richard Gale Optics CLAVIUS Lens Set

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    £250.00/ Day / Day

  Bizarre, crazy, eccentric, surreal, unorthodox, scandalous… these are just a few of the words that we’ve heard when CLAVIUS lenses are being talked about. These are one of a kind lenses, unique in character, and present endless creative options (for when you have exhausted yourself testing every set of rehoused glass, Blackwings… or that fabled lens tucked away in the Woodland Hills that Peckinpah used to shoot Pat Garret and Billy the Kid). But words alone somehow fail to convey what the essence of what these lenses are really about… we really recommend that you make a trip over to Shoot Blue and experience these for yourself. Presented as a four lens set, comprising of 28mm, 38mm, 58mm and 88mm focal lengths, each CLAVIUS lens has a 95mm front and share a f/2 maximum aperture. The set is PL mounted and covers Full Frame, making them compatible with FF cameras such as the Venice and Mini LF as well an option for S35 format cameras.

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  Fujinon Premista 80-250mm T2.9-3.5 Zoom Lens

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    £460.00/ Day / Day

  The Fujinon Premista 80-250mm is compatible with the Full-Frame sized camera sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> It also offers complete sensor coverage of Super 35 chip cameras, making it also equally suitable for use in S35 format production. Other features of the Premista 80-250mm zoom include a ZEISS eXtended Data port, and a Cooke /i interface enabling focus, iris and zoom metadata to be captured. Please note that the Fujinon Premista has a constant aperture between 80-200mm and then ramps gradually to T3.5 between 201-250mm.

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  Fujinon Premista 28-100mm T2.9 Zoom Lens

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  • Day Rate

    £460.00/ Day / Day

  The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.

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