“Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens” has been added to your basket. View basket
ARRI|Zeiss Master Macro 100mm T2 Lens
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£275.00/ Day
Featuring a a 1:1 magnification ratio and a maximum aperture of T2, the ARRI Master Macro 100 is the ultimate lens for table top cinematography, product shots and close-up inserts.
ARRI & Zeiss have jointly produced this macro lens, combining their knowledge to deliver exceptional contrast, sharpness and colour clarity at extreme close-focus, making the 100mm Master Macro the first choice for cinematographers in its field.
Category: Lenses
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Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens
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Day Rate
£450.00/ Day / Day
The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/"> Alexa Mini</a> and Red Helium.Add to basket -
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Cooke S4/i 6-Way Lens Set
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Day Rate
£125.00/ Day / Day
Cooke S4i lenses are one of the most popular prime lens choices for both film & digital cinematography applications. They are compact in size, feature the coveted ‘Cooke Look’ aesthetic and benefit from a consistent T2 aperture across the S4/i range. Our standard 6-way set includes the essential focal lengths in the Cooke S4i range. All lenses in the set have the latest i/ Technology metadata interface which can be used to record lens parameters such as focusing distance, aperture, focal length and the serial number. All lenses in the set are fitted with Imperial focus scales. We also stock several other individual lenses in the S4/i range including the 65mm,<a href="https://shootblue.tv/products/cooke-180mm-s4i-t2/"> 180mm</a> and the <a href="https://shootblue.tv/products/cooke-14mm-s4i-t2/">14mm</a>.Add to basket -
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LOMO Roundfront Anamorphic Lens Set
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Day Rate
£380.00/ Day / Day
If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.Add to basket -
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Zeiss Super Speed MKIII T1.3 Lens Set
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Day Rate
£400.00/ Day / Day
Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.Add to basket -







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