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  Fujinon Premista 28-100mm T2.9 Zoom Lens

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    £460.00/ Day / Day

  The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Zeiss Super Speed MKIII T1.3 Lens Set

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    £400.00/ Day / Day

  Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

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  Tokina Vista Prime 6-Way Lens Set

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    £450.00/ Day / Day

  Featuring a 46.7mm image circle, Tokina Vista Primes cover the largest Full Frame and Vista Vision sensors, but are equally at home paired with Super 35 format cameras. All lenses in the set have a T1.5 maximum aperture, share a 9 bladed iris design and have almost imperceptible optical breathing, allowing for very precise and consistent cinematography. If you have not used Tokina lenses before, prepare yourself to be impressed – these are lenses that punch well above their weight, and hold their own against lenses by more established cine lens manufacturers such as Cooke and ARRI. We also sometimes get asked by our clients which of the lenses we stock have the closest characteristics to Panavision glass – Tokina Vista series primes are almost identical in terms of published technical specifications to Panavision Panaspeed large format lenses, so would always be our recommendation! Our 6-way Tokina Vista lens set comprises of the 18mm, 25mm, 35mm, 50mm, 85mm & 105mm focal lengths.

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