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  JDC Xtal Xpress Anamorphic 4-Way Lens Set

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    £715.00/ Day / Day

  Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini.</a> Please get in touch with our bookings team if you would like to arrange test session with these lenses.

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  Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

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    £450.00/ Day / Day

  The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.

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  Cooke Panchro/i Classic 8-Way Lens Set

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    £6,200.00/ Day / Day

  Cooke introduced the new Panchro/i Classic series as a result of renewed interest in the vintage <strong>Cooke Speed Panchro</strong> lenses that were originally manufactured between the 1920s and 1960s. The new Panchro/i Classic is true to the optical character of the original Speed Panchro, recreating the same look and feel of the original optics with the advantage of modern glass, mechanical design and lens mounts for todays cinematography cameras. The Panchro Classic lenses also feature the Cooke /i Technology interface for frame by frame metadata capture. Cooke Panchro/i Classics are a particularly interesting lens choice for digital sensor cameras such as the Sony VENICE and ARRI Alexa Mini which can often benefit from a softer/more gentle visual style. Our set of Cooke Panchro/i Classic lens set includes the 18, 25, 32, 40, 50, 75, 100 & 152mm focal lengths.

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  Zeiss Super Speed MKIII T1.3 Lens Set

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  • Day Rate

    £400.00/ Day / Day

  Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

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