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  Fujinon Premista 80-250mm T2.9-3.5 Zoom Lens

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    £460.00/ Day / Day

  The Fujinon Premista 80-250mm is compatible with the Full-Frame sized camera sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> It also offers complete sensor coverage of Super 35 chip cameras, making it also equally suitable for use in S35 format production. Other features of the Premista 80-250mm zoom include a ZEISS eXtended Data port, and a Cooke /i interface enabling focus, iris and zoom metadata to be captured. Please note that the Fujinon Premista has a constant aperture between 80-200mm and then ramps gradually to T3.5 between 201-250mm.

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  Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

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    £450.00/ Day / Day

  The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.

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  Zeiss Supreme Prime 5-Way Lens Set

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    £620.00/ Day / Day

  A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.

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  JDC Xtal Xpress Anamorphic 4-Way Lens Set

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    £715.00/ Day / Day

  Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini.</a> Please get in touch with our bookings team if you would like to arrange test session with these lenses.

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