Canon EF 16-35mm f/2.8 L II USM Zoom Lens

  • £60.00/ Day

With a fast, constant aperture, this lens is great for run-and-gun shooting when switching between primes isn’t an option.

The Canon 16-35mm is colour matched to the 24-70mm & 70-200mm L Series zooms, making them a great package for documentaries or productions where speed is of the essence.

Category:

The perfect wide zoom in low-light.

Reviews

There are no reviews yet.

Be the first to review “Canon EF 16-35mm f/2.8 L II USM Zoom Lens”

Your email address will not be published. Required fields are marked *

Related products

  • Angenieux Optimo 24-290mm T2.8 Zoom Lens

    Hire

    • Day Rate

      £515.00/ Day / Day
    The Optimo 24-290mm zoom lens is a high performance 12x zoom lens covering a wide focal length from wide angle at 24mm to telephoto at 290mm. With optics comparable to some of the best prime PL lenses on the market, the Angenieux 24-290mm zoom is perfect for drama, commercial and feature productions.
    Add to cart

  • ARRI|Zeiss Ultra Prime 5-Way Lens Set

    Hire

    • Day Rate

      £415.00/ Day / Day
    Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range. These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes We offer a 7-way Ultra Prime lens set as well, including 100mm & 135mm focal lengths.
    Add to cart

  • LOMO Roundfront Anamorphic Lens Set

    Hire

    • Day Rate

      £380.00/ Day / Day
    If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.
    Add to cart

  • JDC Xtal Xpress Anamorphic 4-Way Lens Set

    Hire

    • Day Rate

      £715.00/ Day / Day
    Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini.</a> Please get in touch with our bookings team if you would like to arrange test session with these lenses.
    Add to cart