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  Richard Gale Optics CLAVIUS Lens Set

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    £250.00/ Day / Day

  Bizarre, crazy, eccentric, surreal, unorthodox, scandalous… these are just a few of the words that we’ve heard when CLAVIUS lenses are being talked about. These are one of a kind lenses, unique in character, and present endless creative options (for when you have exhausted yourself testing every set of rehoused glass, Blackwings… or that fabled lens tucked away in the Woodland Hills that Peckinpah used to shoot Pat Garret and Billy the Kid). But words alone somehow fail to convey what the essence of what these lenses are really about… we really recommend that you make a trip over to Shoot Blue and experience these for yourself. Presented as a four lens set, comprising of 28mm, 38mm, 58mm and 88mm focal lengths, each CLAVIUS lens has a 95mm front and share a f/2 maximum aperture. The set is PL mounted and covers Full Frame, making them compatible with FF cameras such as the Venice and Mini LF as well an option for S35 format cameras.

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  Zeiss Supreme Prime 5-Way Lens Set

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    £620.00/ Day / Day

  A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.

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  KOWA Anamorphic Lens Set

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    £125.00/ Day / Day

  These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan. The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.

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  Cooke S8/i FF 6-Way Lens Set

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    £1,420.00/ Day / Day

  The Cooke S8/i range has been crafted with the same optical characteristics, the warm and subtle yet expressive Cooke Look, that has come to define their spherical lenses, whilst offering a Full-Frame image capture. And at T1.4 maximum aperture across the series, they are also amongst the fastest Full-Frame cinematography lenses available. Complementing the Cooke Look is the precise and reliable mechanical design, making these lenses that cinematographers and camera assistants can completely trust in any shooting situation. As Cooke themselves put it, the S8/i series are ‘Technically Beautiful’ lenses. Our set of Cooke S8/i lenses are natively LPL mounted and can deliver an image circle of 46.3mm, making them compatible with a wide range of both Full Frame and Super 35 format cameras, including the new ARRI Alexa 35. The compact and lightweight design also make them suited for todays diverse shooting applications, whether it be handheld, gimbal Steadicam or motion control. Our standard Cooke S8/i lens set consists of six focal lengths (25mm, 32mm, 40mm, 50mm, 75mm & 100mm) with the Cooke S8/i 135mm also available as a single lens option. As Cooke release further focal lengths in this series, we will be adding these to our rental inventory.

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