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  LOMO Roundfront Anamorphic Lens Set

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  • Day Rate

    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Zeiss Supreme Prime 5-Way Lens Set

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  • Day Rate

    £620.00/ Day / Day

  A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.

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• 

  Cooke S8/i FF 6-Way Lens Set

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  • Day Rate

    £1,420.00/ Day / Day

  The Cooke S8/i range has been crafted with the same optical characteristics, the warm and subtle yet expressive Cooke Look, that has come to define their spherical lenses, whilst offering a Full-Frame image capture. And at T1.4 maximum aperture across the series, they are also amongst the fastest Full-Frame cinematography lenses available. Complementing the Cooke Look is the precise and reliable mechanical design, making these lenses that cinematographers and camera assistants can completely trust in any shooting situation. As Cooke themselves put it, the S8/i series are ‘Technically Beautiful’ lenses. Our set of Cooke S8/i lenses are natively LPL mounted and can deliver an image circle of 46.3mm, making them compatible with a wide range of both Full Frame and Super 35 format cameras, including the new ARRI Alexa 35. The compact and lightweight design also make them suited for todays diverse shooting applications, whether it be handheld, gimbal Steadicam or motion control. Our standard Cooke S8/i lens set consists of six focal lengths (25mm, 32mm, 40mm, 50mm, 75mm & 100mm) with the Cooke S8/i 135mm also available as a single lens option. As Cooke release further focal lengths in this series, we will be adding these to our rental inventory.

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• 

  Fujinon Premista 80-250mm T2.9-3.5 Zoom Lens

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  • Day Rate

    £460.00/ Day / Day

  The Fujinon Premista 80-250mm is compatible with the Full-Frame sized camera sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> It also offers complete sensor coverage of Super 35 chip cameras, making it also equally suitable for use in S35 format production. Other features of the Premista 80-250mm zoom include a ZEISS eXtended Data port, and a Cooke /i interface enabling focus, iris and zoom metadata to be captured. Please note that the Fujinon Premista has a constant aperture between 80-200mm and then ramps gradually to T3.5 between 201-250mm.

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