Cooke S4/i 40mm T2 Lens

Cooke S4/i 40mm T2 Lens

  • £170.00/ Day

Part of the Cooke S4/i lens range, the 40mm is a useful ‘in between’ lens, sitting amidst the popular S4/i 32mm and 50mm focal lengths.

The 40mm features the distinctive ‘Cooke Look’ optical characteristic and also retains the T2 maximum aperture which is found in almost every lens in the S4i series.

Category:

Get the Cooke look.

Reviews

There are no reviews yet.

Be the first to review “Cooke S4/i 40mm T2 Lens”

Your email address will not be published. Required fields are marked *

Related products

  • Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

    Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

    Hire

    • Day Rate

      £450.00/ Day / Day
    The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.
    Add to basket
  • Zeiss Supreme Prime 5-Way Lens Set

    Zeiss Supreme Prime 5-Way Lens Set

    Hire

    • Day Rate

      £620.00/ Day / Day
    A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm,  <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.
    Add to basket
  • LOMO Roundfront Anamorphic Lens Set

    LOMO Roundfront Anamorphic Lens Set

    Hire

    • Day Rate

      £380.00/ Day / Day
    If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.
    Add to basket
  • Fujinon Cabrio 14-35mm T2.9 Zoom Lens

    Fujinon Cabrio 14-35mm T2.9 Zoom Lens

    Hire

    • Day Rate

      £355.00/ Day / Day
    The Cabrio 14-35mm is a lightweight PL-mounted zoom lens covering a wide-angle focal range. The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.
    Add to basket