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Cooke S4/i 65mm T2 Lens
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£170.00/ Day
Sitting between the 50mm & 75mm S4/i primes supplied in our standard set, the Cooke S4/i 65mm is a useful choice when an expanded range of focal length is required.
The Cooke S4/i 65mm features the distinctive ‘Cooke Look’ optical characteristic and shares the T2 maximum aperture found in almost all S4/i lenses.
Category: Lenses
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A three way set of tilt-focus lenses designed for selective focus control and creative depth of field effects. Each lens features 8 degrees of tilt in any direction and 360 degrees of rotation. The set includes 24mm, 45mm & 90mm focal lengths. Standard 0.8 lens gears enable focus & iris adjustments to be made in-shot. The Century Tilt Lens set are PL mounted and cover the Super 35mm (S35) format.Add to basket -
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Fujinon Premista 28-100mm T2.9 Zoom Lens
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The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.Add to basket -
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Angenieux Optimo 28-76mm T2.6 Zoom Lens
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The Optimo 28-76mm is a fast, compact zoom lens ideal for handheld and Steadicam work. This Angenieux zoom lens has an impressive contrast and colour reproduction akin to some of the top prime lenses available.Add to basket -
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Zeiss Supreme Prime 5-Way Lens Set
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£620.00/ Day / Day
A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm, <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.Add to basket -







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