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  Richard Gale Optics CLAVIUS Lens Set

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    £250.00/ Day / Day

  Bizarre, crazy, eccentric, surreal, unorthodox, scandalous… these are just a few of the words that we’ve heard when CLAVIUS lenses are being talked about. These are one of a kind lenses, unique in character, and present endless creative options (for when you have exhausted yourself testing every set of rehoused glass, Blackwings… or that fabled lens tucked away in the Woodland Hills that Peckinpah used to shoot Pat Garret and Billy the Kid). But words alone somehow fail to convey what the essence of what these lenses are really about… we really recommend that you make a trip over to Shoot Blue and experience these for yourself. Presented as a four lens set, comprising of 28mm, 38mm, 58mm and 88mm focal lengths, each CLAVIUS lens has a 95mm front and share a f/2 maximum aperture. The set is PL mounted and covers Full Frame, making them compatible with FF cameras such as the Venice and Mini LF as well an option for S35 format cameras.

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  ARRI|Zeiss Ultra Prime 5-Way Lens Set

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    £415.00/ Day / Day

  Zeiss Ultra Primes are a world-renowned set of high-end cine primes. A Lightweight and high-quality series of lenses with an impressively fast aperture, close focus and focal range. These lenses have become the go-to optics for many TV dramas, promos, features and high-end corporates due to their superior build quality and optical look. These lenses are also a perfect optical match to Master Primes We offer a 7-way Ultra Prime lens set as well, including 100mm & 135mm focal lengths.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Cooke S8/i FF 6-Way Lens Set

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    £1,420.00/ Day / Day

  The Cooke S8/i range has been crafted with the same optical characteristics, the warm and subtle yet expressive Cooke Look, that has come to define their spherical lenses, whilst offering a Full-Frame image capture. And at T1.4 maximum aperture across the series, they are also amongst the fastest Full-Frame cinematography lenses available. Complementing the Cooke Look is the precise and reliable mechanical design, making these lenses that cinematographers and camera assistants can completely trust in any shooting situation. As Cooke themselves put it, the S8/i series are ‘Technically Beautiful’ lenses. Our set of Cooke S8/i lenses are natively LPL mounted and can deliver an image circle of 46.3mm, making them compatible with a wide range of both Full Frame and Super 35 format cameras, including the new ARRI Alexa 35. The compact and lightweight design also make them suited for todays diverse shooting applications, whether it be handheld, gimbal Steadicam or motion control. Our standard Cooke S8/i lens set consists of six focal lengths (25mm, 32mm, 40mm, 50mm, 75mm & 100mm) with the Cooke S8/i 135mm also available as a single lens option. As Cooke release further focal lengths in this series, we will be adding these to our rental inventory.

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