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The AXS-R7 external recorder allows RAW recording, extra formats and alternative resolutions, speeding up 4k production work flows without affecting the quality. It attaches seamlessly with Sony’s latest high end cine-alta cameras such as the Sony VENICE, F55 and F5. The unit operates with high speed AXSM memory cards and has a dual memory slot allowing extra security and longer recording times.Add to cart -
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Canon C300 MKII PL|EF
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Canon’s hugely popular C300 camera gets the 4k treatment whilst maintaining the camera’s compact design. An upgraded, more durable chassis makes this camera even more formidable when either on set or on location and the new Canon-made PL mount allows the use of the very highest quality cinema glass available. The improved Super 35mm CMOS sensor refreshes at an even faster rate, doing away with almost all rolling shutter effects. In the vein of cameras now being able to shoot in nearly pitch dark, the C300 Mk II boasts an incredible maximum ISO of 102,400, meaning your late night shoots will be just as well serviced as those in the day – the built in NDs see to any excessive light.Add to cart -
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Sony FX6
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The FX6 sits at the centre of the Sony 4K Cinema Line camera range, with a more comprehensive feature set than the FX3, but enjoying a smaller and more mobile form factor than the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a>. It’s compact size and functionality make it a great choice for lightweight, handheld ‘run and gun’ shooting setups as well as being a Full-Frame 4K option for gimbal and B-camera use. With an interchangeable ‘E’ lens mount, it can be used natively with Sony lenses and with a mount adapter, will work with most other lens mounts including PL & Canon EF. It has a suite of highly useful features, including a built-in electronic variable ND filter, advanced autofocus capabilities, 15+ stops dynamic range and for low-light shooting, expanded ISO of up to 409600. It supports a range of Full Frame 35mm and Super35 10-bit 4:2:2 recording resolutions and also offers high frame rate capture at up to 120fps in 4K. Our comprehensive Sony FX6 rental kits include a range of accessories, power and media cards to enable you to use the camera to it’s full potential. We also offer a wide range of Sony E mount prime and zoom lens options for this camera.Add to cart -
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ARRI-ALEXA-mini
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ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.Add to cart -
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