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Fujinon Cabrio 19-90mm T2.9 Zoom Lens
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£355.00/ Day
The Cabrio 19-90mm is a lightweight PL-mounted zoom lens with a focal range useful for most documentary-style productions.
The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.
Category: Lenses
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Cooke Anamorphic/i 5-Way Lens Set
Hire
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Day Rate
£925.00/ Day / Day
Marrying the famous Cooke Look with a unique oval bokeh, these lenses render the beautiful images that today’s filmmakers demand. Giving your pictures a shape and definition that you’ve come to expect from Cooke, these Cooke Anamorphic/i lenses are colour matched with our other Cooke lens sets available, such as the popular S4/i set and the S8/i set. We also stock the 135mm Cooke Anamorphic/i lens separately.Add to basket -
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Fujinon Premista 28-100mm T2.9 Zoom Lens
Hire
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Day Rate
£460.00/ Day / Day
The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.Add to basket -
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Cooke S8/i FF 6-Way Lens Set
Hire
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Day Rate
£1,420.00/ Day / Day
The Cooke S8/i range has been crafted with the same optical characteristics, the warm and subtle yet expressive Cooke Look, that has come to define their spherical lenses, whilst offering a Full-Frame image capture. And at T1.4 maximum aperture across the series, they are also amongst the fastest Full-Frame cinematography lenses available. Complementing the Cooke Look is the precise and reliable mechanical design, making these lenses that cinematographers and camera assistants can completely trust in any shooting situation. As Cooke themselves put it, the S8/i series are ‘Technically Beautiful’ lenses. Our set of Cooke S8/i lenses are natively LPL mounted and can deliver an image circle of 46.3mm, making them compatible with a wide range of both Full Frame and Super 35 format cameras, including the new ARRI Alexa 35. The compact and lightweight design also make them suited for todays diverse shooting applications, whether it be handheld, gimbal Steadicam or motion control. Our standard Cooke S8/i lens set consists of six focal lengths (25mm, 32mm, 40mm, 50mm, 75mm & 100mm) with the Cooke S8/i 135mm also available as a single lens option. As Cooke release further focal lengths in this series, we will be adding these to our rental inventory.Add to basket -
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Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens
Hire
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Day Rate
£450.00/ Day / Day
The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/"> Alexa Mini</a> and Red Helium.Add to basket -
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