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Laowa 24mm T14 2x Macro Probe Lens PL
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£90.00/ Day
The Laowa 24mm macro probe is a PL-mounted boroscope lens featuring a waterproof front barrel and built-in LED ring light. Compatible with both Full-Frame and Super 35mm sensor cameras, it also features a 85° field of view and focus & iris gear rings for remote lens control.
A highly useful lens for when you need to get closer to the subject and create a unique bug-eye perspective otherwise unobtainable with regular cinematography lenses.
Category: Lenses
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Fujinon Premista 80-250mm T2.9-3.5 Zoom Lens
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The Fujinon Premista 80-250mm is compatible with the Full-Frame sized camera sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> It also offers complete sensor coverage of Super 35 chip cameras, making it also equally suitable for use in S35 format production. Other features of the Premista 80-250mm zoom include a ZEISS eXtended Data port, and a Cooke /i interface enabling focus, iris and zoom metadata to be captured. Please note that the Fujinon Premista has a constant aperture between 80-200mm and then ramps gradually to T3.5 between 201-250mm.Add to basket -
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JDC Xtal Xpress Anamorphic 4-Way Lens Set
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Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini.</a> Please get in touch with our bookings team if you would like to arrange test session with these lenses.Add to basket -
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Cooke S8/i FF 6-Way Lens Set
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£1,420.00/ Day / Day
The Cooke S8/i range has been crafted with the same optical characteristics, the warm and subtle yet expressive Cooke Look, that has come to define their spherical lenses, whilst offering a Full-Frame image capture. And at T1.4 maximum aperture across the series, they are also amongst the fastest Full-Frame cinematography lenses available. Complementing the Cooke Look is the precise and reliable mechanical design, making these lenses that cinematographers and camera assistants can completely trust in any shooting situation. As Cooke themselves put it, the S8/i series are ‘Technically Beautiful’ lenses. Our set of Cooke S8/i lenses are natively LPL mounted and can deliver an image circle of 46.3mm, making them compatible with a wide range of both Full Frame and Super 35 format cameras, including the new ARRI Alexa 35. The compact and lightweight design also make them suited for todays diverse shooting applications, whether it be handheld, gimbal Steadicam or motion control. Our standard Cooke S8/i lens set consists of six focal lengths (25mm, 32mm, 40mm, 50mm, 75mm & 100mm) with the Cooke S8/i 135mm also available as a single lens option. As Cooke release further focal lengths in this series, we will be adding these to our rental inventory.Add to basket -
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Zeiss Super Speed MKIII T1.3 Lens Set
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Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.Add to basket -
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