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  Cooke Panchro/i Classic 8-Way Lens Set

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    £6,200.00/ Day / Day

  Cooke introduced the new Panchro/i Classic series as a result of renewed interest in the vintage <strong>Cooke Speed Panchro</strong> lenses that were originally manufactured between the 1920s and 1960s. The new Panchro/i Classic is true to the optical character of the original Speed Panchro, recreating the same look and feel of the original optics with the advantage of modern glass, mechanical design and lens mounts for todays cinematography cameras. The Panchro Classic lenses also feature the Cooke /i Technology interface for frame by frame metadata capture. Cooke Panchro/i Classics are a particularly interesting lens choice for digital sensor cameras such as the Sony VENICE and ARRI Alexa Mini which can often benefit from a softer/more gentle visual style. Our set of Cooke Panchro/i Classic lens set includes the 18, 25, 32, 40, 50, 75, 100 & 152mm focal lengths.

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  Zeiss Super Speed MKIII T1.3 Lens Set

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    £400.00/ Day / Day

  Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Tokina Vista Prime 6-Way Lens Set

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    £450.00/ Day / Day

  Featuring a 46.7mm image circle, Tokina Vista Primes cover the largest Full Frame and Vista Vision sensors, but are equally at home paired with Super 35 format cameras. All lenses in the set have a T1.5 maximum aperture, share a 9 bladed iris design and have almost imperceptible optical breathing, allowing for very precise and consistent cinematography. If you have not used Tokina lenses before, prepare yourself to be impressed – these are lenses that punch well above their weight, and hold their own against lenses by more established cine lens manufacturers such as Cooke and ARRI. We also sometimes get asked by our clients which of the lenses we stock have the closest characteristics to Panavision glass – Tokina Vista series primes are almost identical in terms of published technical specifications to Panavision Panaspeed large format lenses, so would always be our recommendation! Our 6-way Tokina Vista lens set comprises of the 18mm, 25mm, 35mm, 50mm, 85mm & 105mm focal lengths.

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