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Metabones EF-E Mount Adapter
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£27.00/ Day
The Metabones Canon EF to Sony NEX adapter allows the use of EF-mounted lenses on cameras such as the Sony FS7 mkII and A7s.
Lenses with electronic auto-focus and iris control draw power directly from the camera via the mount, giving you full control of aperture.
Category: Lenses
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Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens
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The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/"> Alexa Mini</a> and Red Helium.Add to basket -
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Fujinon Cabrio 14-35mm T2.9 Zoom Lens
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The Cabrio 14-35mm is a lightweight PL-mounted zoom lens covering a wide-angle focal range. The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.Add to basket -
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KOWA Anamorphic Lens Set
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These re-housed vintage anamorphic lenses feature distinctive flare, skin tones and softness, giving them a unique aesthetic. Not to be mistaken for the Evolution Kowa set, these are the real deal originating from 1970’s Japan. The lightweight, compact and versatile structure of these lenses allow them to be used in a multitude of ways, including handheld, gimbal and aerial applications.Add to basket -
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Zeiss Supreme Prime 5-Way Lens Set
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A 5-way set of large format cinematography lenses which cover both Full-Frame and Super 35 sensors. With the Supreme Primes, Zeiss has adopted a more gentle, slightly softer imaging style which is more suited to digital sensor cameras and represents a departure from the crisp, clinical aesthetic of Master Primes and <a href="https://shootblue.tv/products/zeiss-ultra-prime-5-way-lens-set/">Ultra Primes</a>. The Supreme Primes are particularly recommended for large format cameras such as the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony VENICE</a> and the ARRI ALEXA Mini LF. But they are also compatible with our range of Super 35 sensor cameras including the <a href="https://shootblue.tv/products/sony-pxw-fx9-full-frame-camera/">Sony FX9</a> and the ARRI Alexa Mini In addition to the 5-way set, we also offer individual Zeiss Supremes in a range of focal lengths, including <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-18mm-lens/">18mm</a>, 21mm, 40mm, <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-65mm-lens/">65mm, </a>100mm and <a href="https://shootblue.tv/products/zeiss-supreme-prime-t1-5-135mm-lens/">135mm</a> Please speak to our bookings team for further details.Add to basket -
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