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ARRI-ALEXA-mini
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Day Rate
£620.00/ Day / Day
ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.Add to basket -
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Sony VENICE & AXS-R7
Hire
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Day Rate
£985.00/ Day / Day
With a Full-Frame, 36 x 24mm sensor, the Sony Venice can capture cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is capable of up to 120fps in 4K. This camera package includes the Sony AXS-R7 recorder which enables RAW recording for when a higher specification workflow is required. Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude. Our Sony Venice rental kits include the High Speed (HFR), Full Frame and Anamorphic licensing as standard allowing your production to take full advantage of this camera. If you just require the camera without the AXS-R7 recorder, we also hire a <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">standard Sony Venice</a> package.Add to basket -
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Sony FX3
Hire
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Day Rate
£160.00/ Day / Day
The Sony FX3 is the baby of the Sony Cinema Line camera series and shares both its sensor lineage and colour science with it’s Sony FX6 and FX9 siblings. Whilst having a similar form factor to DSLR sized cameras such as the A7SII, the Sony FX3 has been designed with cinematic moving image capture as it’s core mission. Video-friendly features of the FX3 include front & rear tally lamps, 1/4-20 mounting points on the camera body and a removeable top handle with industry-standard XLR audio connectors. A fan cooling system also prevents overheating when recording, something that is often an inherent issue when shooting on compact mirrorless type cameras. The FX3 is also an especially good choice for use as a matching ‘B’ cam when shooting on a Sony FX6 or FX9 (and even the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony Venice</a>). Equally, it’s lightweight design makes it useful a useful choice for lightweight gimbal setups. We stock a wide range of Sony ‘E’ mount prime and zoom lenses, which means a mount adapter is not required and furthermore, opens up full electronic functionality of the lens when used natively on the Sony FX3. However, if you have a preference to use other lenses such as PL and Canon EF, we stock a range of ‘E’ <a href="https://shootblue.tv/products/metabones-pl-lens-to-sony-e-mount-t-cine-adapter/">mount adapters</a> compatible with this camera. Please contact our rental desk if you have any questions about this camera or if you would like to make a booking.Add to basket -







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