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  Richard Gale Optics CLAVIUS Lens Set

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    £250.00/ Day / Day

  Bizarre, crazy, eccentric, surreal, unorthodox, scandalous… these are just a few of the words that we’ve heard when CLAVIUS lenses are being talked about. These are one of a kind lenses, unique in character, and present endless creative options (for when you have exhausted yourself testing every set of rehoused glass, Blackwings… or that fabled lens tucked away in the Woodland Hills that Peckinpah used to shoot Pat Garret and Billy the Kid). But words alone somehow fail to convey what the essence of what these lenses are really about… we really recommend that you make a trip over to Shoot Blue and experience these for yourself. Presented as a four lens set, comprising of 28mm, 38mm, 58mm and 88mm focal lengths, each CLAVIUS lens has a 95mm front and share a f/2 maximum aperture. The set is PL mounted and covers Full Frame, making them compatible with FF cameras such as the Venice and Mini LF as well an option for S35 format cameras.

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  Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

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    £450.00/ Day / Day

  The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.

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  Tokina Vista Prime 6-Way Lens Set

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    £450.00/ Day / Day

  Featuring a 46.7mm image circle, Tokina Vista Primes cover the largest Full Frame and Vista Vision sensors, but are equally at home paired with Super 35 format cameras. All lenses in the set have a T1.5 maximum aperture, share a 9 bladed iris design and have almost imperceptible optical breathing, allowing for very precise and consistent cinematography. If you have not used Tokina lenses before, prepare yourself to be impressed – these are lenses that punch well above their weight, and hold their own against lenses by more established cine lens manufacturers such as Cooke and ARRI. We also sometimes get asked by our clients which of the lenses we stock have the closest characteristics to Panavision glass – Tokina Vista series primes are almost identical in terms of published technical specifications to Panavision Panaspeed large format lenses, so would always be our recommendation! Our 6-way Tokina Vista lens set comprises of the 18mm, 25mm, 35mm, 50mm, 85mm & 105mm focal lengths.

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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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