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  Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

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    £450.00/ Day / Day

  The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.

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  Zeiss Super Speed MKIII T1.3 Lens Set

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    £400.00/ Day / Day

  Zeiss Super Speeds are high-quality, fast PL-mounted lenses perfect for all 35mm film and digital cinematography cameras. Featuring a very compact mechanical and optical design, they are also well suited for handheld & gimbal filming. These are the MKIII variant of Super Speed lenses and date from the 1980s era. A popular choice for DoPs looking to shoot in low light conditions without ramping the camera ISO setting.

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  Fujinon Premista 28-100mm T2.9 Zoom Lens

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  • Day Rate

    £460.00/ Day / Day

  The Fujinon Premista 28-100m zoom covers a 46.3mm image circle, making it compatible with the Full-Frame size sensors of both the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini-lf/">Alexa Mini LF</a> and the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera-axs-r7-package/">Sony Venice.</a> The 28-100mm zoom range encompasses some of the most widely used focal lengths in both Full-Frame and Super35 cinematography. And the Premista is an excellent choice for when the practicality of a variable focal range might outweigh the aesthetic considerations of shooting on prime lenses. Other features of the Premista 28-100mm zoom include a ZEISS eXtended Data port (LEMO connector) and a Cooke /i interface enabling focus, iris and zoom metadata to be captured.

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  JDC Xtal Xpress Anamorphic 4-Way Lens Set

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  • Day Rate

    £715.00/ Day / Day

  Anamorphic lenses rarely more characterful (and beautiful) than the JDC Xtal Xpress series. Developed in the 1980s by the esteemed Joe Dunton Cameras (JDC) company (which was subsequently acquired by Panavision), Xtals have been used to lens many high profile feature films, including Star Wars Episode VI, Layer Cake, Guardians of the Galaxy and Ex Machina. They also remain a popular and enduring lens choice for cinematographers shooting music promos and commercials, especially when a striking and unique visual aesthetic is required. Our 4-lens set of of JDC Xtal Xpress (pronounced “crystal express”) anamorphic lenses include the 35mm, 50mm, 85mm and 100mm focal lengths. Recently given a complete optical and mechanical overhaul, we are confident this is one of the finest sets of these acclaimed and rarefied lenses currently available for rental. Recommended cameras for use with Xtals include the Sony Venice and ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini.</a> Please get in touch with our bookings team if you would like to arrange test session with these lenses.

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