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  Sony FX9

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  • Day Rate

    £285.00/ Day / Day

  The Sony PXW-FX9 builds on the success of the popular Sony FS7/FS7II range of E-mount camcorders by introducing a larger Full-Frame 35mm Exmor R sensor. Whilst retaining the compact form-factor and familiarity of the FS7, the Sony FX9 features a sensor over twice the surface area of a Super 35 sensor, providing a shallower depth of field and a wider angle of view. Other key features of the FX9 include dual base ISO of 800/4000, over 15 stops of dynamic range and a 6K oversampled sensor for recording in DCI 4K, UHD, and HD resolutions. And for when a Super 35 format is required, the sensor crops to achieve a S35mm 4K recording mode. The FX9 Features an Electronic Variable ND, allowing for the user to have step-less control of their exposure without compromising on their chosen aperture. Our Sony FX9 camera kits are configured to a very high standard with a ARRI 15mm support package, media, and accessories to enable the camera to be used to it’s full potential. For power options, our rental kit includes both the regular ‘BP’ type batteries as well as a 4-way set of V-lock batteries and a V-lock power adapter. We also stock a range of Sony E mount lenses, E-EF and E-PL lens mount adapters for use with the FX9 – please speak to a member of our rental team for further details.

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  Blackmagic Design Pocket Cinema Camera 4K

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  • Day Rate

    £102.00/ Day / Day

  The Blackmagic Design Pocket Cinema Camera 4K (for the purposes of this description, we’ll refer to it as the BDPCC4K) is an advanced, small form factor cinematography camera for shooting 4K, UHD and HD images. The BDPCC4K is built around a Micro 4/3 (MFT) sized sensor and it’s range of features include HDR capture, dual native ISO (up to 25,600 ISO) and up to 60fps recording in 4K. It supports ProRes and Blackmagic RAW recording, 3D LUT display and is compatible with CFAST and SD card media. It is also possible to record to external SSD media using the USB-C port on the camera. What we particularly like about this camera is the large touchscreen interface which is super easy to navigate and configure the camera. Blackmagic Design have even gone as far as adding a ‘<a href="https://en.wikipedia.org/wiki/Hamburger_button">hamburger</a>‘ button, bringing the UX of this camera very up to date. Our comprehensive rental kit includes CFAST media, 4 x LP-E6 batteries and a Tilta cage system.

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• 

  Sony FS7 II

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  • Day Rate

    £190.00/ Day / Day

  The Sony FS7 II is an update to the popular FS7 which extends the capabilities and feature set of the original camera. Enhancements to the camera design include a variable ND filter, a lever locking Sony E-mount, an improved viewfinder and the addition of Rec-2020 colour space (ITU BT.2020). The FS7 II retains all the functionality of the original Sony FS7, including 4K & HD resolutions, up to 180fps capture, the same Super 35mm format sensor and options (via E-mount adapters) to use a wide range of lenses, including PL, Leica & Canon EF. This is a highly versatile yet affordable camera which lends itself to a range of applications including digital cinematography, multi-camera and documentary shooting. Like the Original FS7, the FS7 II is compatible with the optional <a href="https://shootblue.tv/products/sony-xdca-fs7-extension-unit/">XDCA-FS7</a> extension unit. This allows the use of V-Lock batteries as well as Apple ProRes recording and time Code capabilities. Our Sony PXW-FS7 II hire kits are presented at a very high, industry-leading specification, with a comprehensive range of accessories included as standard.

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  RED EPIC-W Helium

  Hire

  • Day Rate

    £545.00/ Day / Day

  Make the most of your next production by using the RED EPIC-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our EPIC-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.

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