Sony AXS-R7 External Recorder

  • £304.00/ Day

The AXS-R7 external recorder allows RAW recording, extra formats and alternative resolutions, speeding up 4k production work flows without affecting the quality. It attaches seamlessly with Sony’s latest high end cine-alta cameras such as the Sony VENICE, F55 and F5.

The unit operates with high speed AXSM memory cards and has a dual memory slot allowing extra security and longer recording times.

Category:

External RAW recorder for the Sony VENICE camera.

Reviews

There are no reviews yet.

Be the first to review “Sony AXS-R7 External Recorder”

Your email address will not be published. Required fields are marked *

Related products

  • Sony VENICE & AXS-R7

    Hire

    • Day Rate

      £985.00/ Day / Day
    With a Full-Frame, 36 x 24mm sensor, the Sony Venice can capture cinematic images at up to 6K resolution. It can also record in Super35 full height 2x anamorphic mode and is capable of up to 120fps in 4K. This camera package includes the Sony AXS-R7 recorder which enables RAW recording for when a higher specification workflow is required. Other advanced capabilities include internal 8-stop ND filters, Dual Base ISO and over 15 stops of latitude. Our Sony Venice rental kits include the High Speed (HFR), Full Frame and Anamorphic licensing as standard allowing your production to take full advantage of this camera. If you just require the camera without the AXS-R7 recorder, we also hire a <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">standard Sony Venice</a> package.
    Add to cart

  • RED EPIC-W Helium

    Hire

    • Day Rate

      £545.00/ Day / Day
    Make the most of your next production by using the RED EPIC-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our EPIC-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.
    Add to cart

  • Sony FS7 II

    Hire

    • Day Rate

      £190.00/ Day / Day
    The Sony FS7 II is an update to the popular FS7 which extends the capabilities and feature set of the original camera. Enhancements to the camera design include a variable ND filter, a lever locking Sony E-mount, an improved viewfinder and the addition of Rec-2020 colour space (ITU BT.2020). The FS7 II retains all the functionality of the original Sony FS7, including 4K & HD resolutions, up to 180fps capture, the same Super 35mm format sensor and options (via E-mount adapters) to use a wide range of lenses, including PL, Leica & Canon EF. This is a highly versatile yet affordable camera which lends itself to a range of applications including digital cinematography, multi-camera and documentary shooting. Like the Original FS7, the FS7 II is compatible with the optional <a href="https://shootblue.tv/products/sony-xdca-fs7-extension-unit/">XDCA-FS7</a> extension unit. This allows the use of V-Lock batteries as well as Apple ProRes recording and time Code capabilities. Our Sony PXW-FS7 II hire kits are presented at a very high, industry-leading specification, with a comprehensive range of accessories included as standard.
    Add to cart

  • ARRI-ALEXA-mini

    Hire

    • Day Rate

      £620.00/ Day / Day
    ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.
    Add to cart