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  ARRI Amira

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  • Day Rate

    £390.00/ Day / Day

  With the same Super 35mm sensor as the ARRI Alexa and a documentary style body, the ARRI Amira couples self-shooting flexibility with some of the best images on the market. All of our Amira units come with Arri’s Premium Licence as standard, giving you 4K UHD recording at ProRes 4444 and up to 200fps at 2K. The ergonomic, solid design of the Amira allows you to shoot in even the most demanding of conditions whilst the post production team enjoys the ease of the camera’s ProRes workflow.

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• 

  ARRI-ALEXA-mini

  Hire

  • Day Rate

    £620.00/ Day / Day

  ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.

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• 

  ARRI ALEXA Mini LF

  Hire

  • Day Rate

    £930.00/ Day / Day

  The ALEXA Mini LF is the latest camera in the highly acclaimed <a href="https://shootblue.tv/products/arri-alexa-mini/">ALEXA MINI</a> series. Equipped with a 4.5K resolution Full-Frame (FF) sensor and a native LPL lens mount, the Mini LF combines large format cinematography with the compact size, precise colour science and stunning image quality of the ALEXA Mini. Like original ARRI ALEXA Mini, the LF is particularly suited to handheld, gimbal and Steadicam applications which demand a lower weight and form factor. Our Mini LF cameras have the latest Software Update Package 7.1.2 installed which enables Super 35mm recording at up to 3.4K resolution, making the camera now natively compatible with both full-frame and S35 format cinematography lenses. We have multiple ALEXA Mini LF cameras available to hire – please contact us to discuss your requirements and rental availability.

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• 

  Sony FX3

  Hire

  • Day Rate

    £160.00/ Day / Day

  The Sony FX3 is the baby of the Sony Cinema Line camera series and shares both its sensor lineage and colour science with it’s Sony FX6 and FX9 siblings. Whilst having a similar form factor to DSLR sized cameras such as the A7SII, the Sony FX3 has been designed with cinematic moving image capture as it’s core mission. Video-friendly features of the FX3 include front & rear tally lamps, 1/4-20 mounting points on the camera body and a removeable top handle with industry-standard XLR audio connectors. A fan cooling system also prevents overheating when recording, something that is often an inherent issue when shooting on compact mirrorless type cameras. The FX3 is also an especially good choice for use as a matching ‘B’ cam when shooting on a Sony FX6 or FX9 (and even the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony Venice</a>). Equally, it’s lightweight design makes it useful a useful choice for lightweight gimbal setups. We stock a wide range of Sony ‘E’ mount prime and zoom lenses, which means a mount adapter is not required and furthermore, opens up full electronic functionality of the lens when used natively on the Sony FX3. However, if you have a preference to use other lenses such as PL and Canon EF, we stock a range of ‘E’ <a href="https://shootblue.tv/products/metabones-pl-lens-to-sony-e-mount-t-cine-adapter/">mount adapters</a> compatible with this camera. Please contact our rental desk if you have any questions about this camera or if you would like to make a booking.

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