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  LOMO Roundfront Anamorphic Lens Set

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    £380.00/ Day / Day

  If you’re looking for a wild look with characterful bokeh and organic colour rendition, The LOMOs are the way to go. These Vintage Soviet-era lenses from the 1970s and 1980s use spherical lens assembly specially designed to reduce lens breathing (for anamorphic lenses). Each lens has been retrofitted with the Arma Cine Oribital system which prevent the lens front from rotating. This enables clip on matte box to be used easily with these lenses. These lenses are particularly recommended for use with cinematography cameras such as the ARRI <a href="https://shootblue.tv/products/arri-alexa-mini/">Alexa Mini</a> and Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a> that support full height sensors. Please note that the 35mm supports LMB Matte boxes in 2-Stage configuration with standard PV Filters, you won’t be able to use Rota Polas or Dioptres in either an LMB tray or stage without vignetting.

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  Fujinon Cabrio 19-90mm T2.9 Zoom Lens

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    £355.00/ Day / Day

  The Cabrio 19-90mm is a lightweight PL-mounted zoom lens with a focal range useful for most documentary-style productions. The detachable servo drive unit allows the Fujinon Cabrio to combine the practicalities of ENG-style shooting and Super 35mm digital cinema production, whilst being ergonomically balanced to allow shooting handheld for extended periods.

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  Angenieux Optimo 56-152mm T4 A2S Anamorphic Zoom Lens

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    £450.00/ Day / Day

  The Angenieux Optimo 56-152mm A2S anamorphic zoom builds on the success of the Optimo spherical zoom lens series which are noted for their lightweight and compact design, low distortion and minimal breathing characteristics. The Optimo 56-152mm achieves a 2:1 squeeze using a rear anamorphic element lens design and features a constant T4 maximum aperture across the entire zoom range. Weighing only 2.2kg, the 56-152mm Optimo Anamorphic zoom is also suited to handheld, Steadicam and Gimbal shooting modes. The 56mm to 152mm focal length range of this zoom makes it particularly useful for complementing a set of wider anamorphic prime lenses (such as <a href="https://shootblue.tv/products/cooke-anamorphic-i-5-way-prime-lens-set/">Cooke Anamorphic/i</a> primes) or for productions where lens changes need to be kept to a minimum. The zoom is also compatible with most cinematography cameras that are capable of anamorphic format recording, including the Sony <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Venice</a>,<a href="https://shootblue.tv/products/arri-alexa-mini/">  Alexa Mini</a> and Red Helium.

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  Cooke Panchro/i Classic 8-Way Lens Set

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    £6,200.00/ Day / Day

  Cooke introduced the new Panchro/i Classic series as a result of renewed interest in the vintage <strong>Cooke Speed Panchro</strong> lenses that were originally manufactured between the 1920s and 1960s. The new Panchro/i Classic is true to the optical character of the original Speed Panchro, recreating the same look and feel of the original optics with the advantage of modern glass, mechanical design and lens mounts for todays cinematography cameras. The Panchro Classic lenses also feature the Cooke /i Technology interface for frame by frame metadata capture. Cooke Panchro/i Classics are a particularly interesting lens choice for digital sensor cameras such as the Sony VENICE and ARRI Alexa Mini which can often benefit from a softer/more gentle visual style. Our set of Cooke Panchro/i Classic lens set includes the 18, 25, 32, 40, 50, 75, 100 & 152mm focal lengths.

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