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With an ergonomic design and a Super 35 size CMOS sensor, the Sony FS7 is a versatile camera capable of delivering great results in almost any environment. Featuring a native Sony E-Mount which enables a range of different lens adapters to be used, including Canon EF & PL, this 4K camera has a wide range of top-quality glass to choose from. The Sony FS7 can be provided with industry-standard cinematography accessories for studio and location corporates, commercials and promos or configured into a self-shooting documentary-style camera – this camera is a true all-rounder. When combined with the optional <a href="https://shootblue.tv/products/sony-xdca-fs7-interface-unit/">XDCA-FS7</a> extension unit, the FS7 is capable of Apple ProRes recording and can be powered via industry standard V-lock batteries. We also offer the upgraded <a href="https://shootblue.tv/products/sony-pxw-fs7-ii/">PXW-FS7 II</a> version of this camera.Add to basket -
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ARRI-ALEXA-mini
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ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.Add to basket -
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ARRI ALEXA 35
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eaturing a native 4.6K Super 35mm sensor and 17 stops of dynamic range, the ARRI Alexa 35 raises the bar to new heights for digital cinematography. Building on the success of the original Alexa Mini and the Mini LF, the Alexa 35 continues with the compact, yet highly functional form factor, making it a highly capable camera for a wide range production scenarios. A new side display makes operational control much easier, ensuring the camera team can quickly make changes and dial in new settings. The Alexa 35 also has a modular lens mount system, making it extremely versatile when considering lens choices and gives the option to use native S35, Full Frame and stills format lenses on the camera. Our Alexa 35 rental kits are industry leading, and supplied with a generous complement of accessories, media and power options. This includes 2TB capture cards as standard (for full speed recording) and a Bebob hot-swap B-mount battery system. Please see our ‘Kit Includes’ tab for further details.Add to basket -
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Blackmagic Ursa Mini Pro 4.6K G2
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