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  ARRI-ALEXA-mini

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  • Day Rate

    £620.00/ Day / Day

  ARRI’s ALEXA Mini brings all of their digital cinematography knowledge and expertise together in one compact, lightweight package. This small yet powerful camera shoots at a variety of resolutions between HD and 4K and up to 200fps, making the Mini a versatile addition to the existing ARRI family of digital cinema cameras. As you’ve come to expect, we’ve tricked our ALEXA Mini kits out with 4:3 anamorphic & ARRIRAW licenses, giving this bow yet another string. The ALEXA Mini has been designed with ease-of-use, both on set and in post-production, in mind. Utilising ProRes 422/4444 codecs, the extraordinary images this camera captures fit directly into your timeline and allow for quick editing and grading, saving your production time and money across the board. We’ve geared our ARRI ALEXA Mini kits to be as lightweight yet sturdy as possible, so each comes fully kitted-out with an ARRI professional accessory package and options of metal or carbon fibre bars – your choice. As one of the most physically versatile cameras on the market, the Mini is perfect for shooting on sticks, Steadicam or with handheld gimbals such as the MoVI Pro. Feel free to get in touch and arrange a demo or build a free prep day in one of our test spaces into your next production. We also stock an ARRI EF adapter, giving you even more lenses to choose from. Whether you’re shooting on the fly and from the hip with DSLR zooms or with one of our PL lens packages, this camera does it all.

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  Sony FS7

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  • Day Rate

    £160.00/ Day / Day

  With an ergonomic design and a Super 35 size CMOS sensor, the Sony FS7 is a versatile camera capable of delivering great results in almost any environment. Featuring a native Sony E-Mount which enables a range of different lens adapters to be used, including Canon EF & PL, this 4K camera has a wide range of top-quality glass to choose from. The Sony FS7 can be provided with industry-standard cinematography accessories for studio and location corporates, commercials and promos or configured into a self-shooting documentary-style camera – this camera is a true all-rounder. When combined with the optional <a href="https://shootblue.tv/products/sony-xdca-fs7-interface-unit/">XDCA-FS7</a> extension unit, the FS7 is capable of Apple ProRes recording and can be powered via industry standard V-lock batteries. We also offer the upgraded <a href="https://shootblue.tv/products/sony-pxw-fs7-ii/">PXW-FS7 II</a> version of this camera.

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  RED EPIC-W Helium

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  • Day Rate

    £545.00/ Day / Day

  Make the most of your next production by using the RED EPIC-W’s 8K Helium sensor for bigger, better pictures. The additional resolution is particularly useful when shooting plates for use in 360/VR projects, or for use in productions where image manipulation is key. Our EPIC-W packages come with a wide selection of accessories, batteries and media so you’re able to shoot just as easily in the field as in the studio. In addition to RED’s native REDCODE RAW, the Epic-W is capable of generating simultaneous 4K Apple ProRes or Avid DNxHR/HD proxies, streamlining the post-production process and giving you the ability to ingest footage for editing far quicker than with previous RED cameras. Get in touch to book a test in-house with our technical and post-production team.

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  Sony FX3

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  • Day Rate

    £160.00/ Day / Day

  The Sony FX3 is the baby of the Sony Cinema Line camera series and shares both its sensor lineage and colour science with it’s Sony FX6 and FX9 siblings. Whilst having a similar form factor to DSLR sized cameras such as the A7SII, the Sony FX3 has been designed with cinematic moving image capture as it’s core mission. Video-friendly features of the FX3 include front & rear tally lamps, 1/4-20 mounting points on the camera body and a removeable top handle with industry-standard XLR audio connectors. A fan cooling system also prevents overheating when recording, something that is often an inherent issue when shooting on compact mirrorless type cameras. The FX3 is also an especially good choice for use as a matching ‘B’ cam when shooting on a Sony FX6 or FX9 (and even the <a href="https://shootblue.tv/products/sony-venice-full-frame-6k-camera/">Sony Venice</a>). Equally, it’s lightweight design makes it useful a useful choice for lightweight gimbal setups. We stock a wide range of Sony ‘E’ mount prime and zoom lenses, which means a mount adapter is not required and furthermore, opens up full electronic functionality of the lens when used natively on the Sony FX3. However, if you have a preference to use other lenses such as PL and Canon EF, we stock a range of ‘E’ <a href="https://shootblue.tv/products/metabones-pl-lens-to-sony-e-mount-t-cine-adapter/">mount adapters</a> compatible with this camera. Please contact our rental desk if you have any questions about this camera or if you would like to make a booking.

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